Prophets are wild cards in the game of politics, James Bernard Murphy writes in this startling new book. They risk their lives by calling out the abuses of political and religious leaders, forcing us to confront evils we would prefer to ignore. By setting moral limits on political leaders, prophets chasten our political pretensions and remind us there are values that transcend politics. They wield a third sword—distinct from the familiar swords of state and church power—their sword is the word of God. The Third Sword offers a new take on political history, illustrating a theory of prophetic politics through tales of political crises, interspersed with direct dialogue between the prophets and their persecutors. With chapters on Socrates, Jesus, Joan of Arc, Thomas More, and Martin Luther King, Murphy brings these prophets to life with storytelling that blends biography, history, and political theory.

Prophets are wild cards in the game of politics, James Bernard Murphy writes in this startling new book. They risk their lives by calling out the abuses of political and religious leaders, forcing us to confront evils we would prefer to ignore. By setting moral limits on political leaders, prophets chasten our political pretensions and remind us there are values that transcend politics. They wield a third sword—distinct from the familiar swords of state and church power—their sword is the word of God. The Third Sword offers a new take on political history, illustrating a theory of prophetic politics through tales of political crises, interspersed with direct dialogue between the prophets and their persecutors. With chapters on Socrates, Jesus, Joan of Arc, Thomas More, and Martin Luther King, Murphy brings these prophets to life with storytelling that blends biography, history, and political theory.

Why are religious rituals, symbols, and rhetoric so full of images of blood, sacrifice, and death? Why does religious fervor so often lead to Holy War, Crusade, and Jihad? No wonder many people assume that religion tends to give rise to violence. But what if it were the other way around? What if violence actually gave rise to religion? So argued the French literary theorist and anthropologist Rene Girard (1923-2015). Described as the Darwin of the human sciences, he was elected to the French Academy in 2005 for his seminal theories of sacred violence. Girard argued that religious practices function to sublimate, regulate, and discharge human violence in controlled rituals. Where does violence come from? According to Girard, from the social nature of human desire itself. We desire things only because others desire them, so desire is inherently rivalrous, leading to violent conflict. But if a scapegoat can be found, then this war of all against all turns into a war of all against one. Social order, claimed Girard, stems from the unity of a lynch mob. Religious rituals then serve to commemorate the primordial murder of the scapegoat. What are we to make of Girards provocative claims about human desire, violence, scapegoat killings, and religion? Political philosopher James Bernard Murphy presents here a series of sharp and witty dialogues in which Girard attempts to defend his ideas against attacks by rival theorists, among them, Sigmund Freud, William James, Simone Weil, Elias Canetti and Joseph de Maistre. Whatever we might think of his answers, Girard asks challenging, unsettling questions. In these illuminating and lively exchanges, Girard squares off with the titans of social theory.

Classic Hammer horror starring Christopher Lee and Peter Cushing. Jonathan Harker (John Van Eyssen) journeys to Castle Dracula, where he is turned into one of the undead by the famous vampire (Lee). Professor Van Helsing (Cushing) arrives and drives a stake through Harker's heart, but must then pursue Dracula to London, where the Count intends to make Harker's fiancée Lucy Holmwood his bride. Lee and Cushing went on to make several more 'Dracula' films for Hammer.

Since the beginning of the nineteenth century many forms of theatre have been called ‘popular’, but in the twentieth century the term ‘popular drama’ has taken on definite political overtones, often indicating a repudiation of ‘commercial theatre’. But does that mean that political theatre is or tries to be more attractive to more people than commercial theatre? Does it conversely mean that commercial theatre has no political effects? The articles in this book were submitted as papers for a conference on the theme of ‘popular’ theatre, film and television. Contributions came from people with very different types of experience: from an ex-animal trainer to a lecturer in film studies; from playwrights, directors and actors to professional critics and academics. Each author focused on a particular problem of defining drama in performance, drawing together the conditions of performance, the types of audience and the political effects of the plays or films in question. The result was a series of fruitful connections and juxtapositions which shows the remarkable continuity of the problems raised in attempts to create a popular political drama.

Oscar-winning thriller from the Boulting Brothers. When a scientist, Professor Willingdon (Barry Jones), sends a letter to 10 Downing Street threatening to blow up the Houses of Parliament within a week unless the Prime Minister agrees to his demands, it is dismissed as a hoax. But when Willingdon disappears, alarm bells start to ring, and soon the whole of London is out looking for him.

'A wonderful introduction to history's most influential scribblers' - Steven Pinker

What is truly at stake in politics? Nothing less than how we should live, as individuals and as communities. This book goes beyond the surface headlines, the fake news and the hysteria to explore the timeless questions posed and answers offered by a diverse group of the 30 greatest political thinkers who have ever lived.

Are we political, economic, or religious animals? Should we live in small city-states, nations, or multinational empires? What values should politics promote? Should wealth be owned privately or in common? Do animals also have rights? There is no idea too radical for this global assortment of thinkers, which includes: Confucius; Plato; Augustine; Machiavelli; Burke; Wollstonecraft; Marx; Nietzsche; Gandhi; Qutb; Arendt; Nussbaum, Naess and Rawls.

In each brief chapter, the authors paint a vivid portrait of these often prescient, always compelling political thinkers, showing how their ideas grew out of their own dramatic lives and times and evolved beyond them. Now more than ever we need to be reminded that politics can be a noble, inspiring and civilising art. And if we want to understand today's political world, we need to understand the foundations of politics and its architects. This is the perfect guide to both.

Horror in which a couple find themselves stranded in a small European village, where they pique the interest of a local aristocrat. When the honeymoon of Gerald Harcourt (Edward De Souza) and his new wife, Marianne (Jennifer Daniel), is interrupted by a car breakdown, they reconcile themselves to staying a couple of days in a remote village. The locals seem friendly enough and the wealthy Dr. Ravna (Noel Willman) even invites the couple for dinner at his chateau. However, once trapped in Ravna's house the newlyweds swiftly find themselves regretting the invitation as they become the subject of increasingly bizarre and threatening behaviour...

Mrs. Gareth, widowed chatelaine of Poynton, is fighting to keep her house with its priceless objets d'art from her son Owen and his lovely, utterly philistine fiancee. When she discovers that her young friend and sympathizer Fleda Vetch is secretly in love with Owen, she thrusts her into the battle-line.
The power struggle that ensues between the three women leaves Owen vacillating. What is at stake is not the mere possession of tables and chairs; it is, for Fleda, a conflict between aesthetic ideals, ethical imperatives, and her innermost feelings, in which she risks betraying, and being betrayed by, all that she holds most dear.
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A holistic view of human development that rejects the conventional stages of childhood, adulthood, and old age When we talk about human development, we tend to characterize it as proceeding through a series of stages in which we are first children, then adolescents, and finally, adults. But as James Bernard Murphy observes, growth is not limited to the young nor is decline limited to the aged. We are never trapped within the horizon of a particular life stage: children anticipate adulthood and adults recapture childhood. According to Murphy, the very idea of stages of life undermines our ability to see our lives as a whole. In Your Whole Life, Murphy asks: what accounts for the unity of a human life over time? He advocates for an unconventional, developmental story of human nature based on a nested hierarchy of three powers-first, each person's unique human genome insures biological identity over time; second, each person's powers of imagination and memory insure psychological identity over time; and, third, each person's ability to tell his or her own life story insures narrative identity over time. Just as imagination and memory rely upon our biological identity, so our autobiographical stories rest upon our psychological identity. Narrative is not the foundation of personal identity, as many argue, but its capstone. Engaging with the work of Aristotle, Augustine, Jesus, and Rousseau, as well as with the contributions of contemporary evolutionary biologists and psychologists, Murphy challenges the widely shared assumptions in Western thinking about personhood and its development through discrete stages of childhood, adulthood, and old age. He offers, instead, a holistic view in which we are always growing and declining, always learning and forgetting, and always living and dying, and finds that only in relation to one's whole life does the passing of time obtain meaning.

This volume collects some of the best recent writings on St. Thomas's philosophy of law and includes a critical examination of Aquinas's theory of the relation between law and morality, his natural law theory, as well as the modern reformulation of his approach to natural rights. The volume shows how Aquinas understood the importance of positive law and demonstrates the modern relevance of his writings by including Thomistic critiques of modern jurisprudence and examples of applications of Thomistic jurisprudence to specific modern legal problems such as federalism, environmental policy, abortion and euthanasia. The volume also features an introduction which places Aquinas's writings in the context of modern jurisprudence as well as an extensive bibliography. The volume is suited to the needs of jurisprudence scholars, teachers and students and is an essential resource for all law libraries.